SciFiAndTvTalk

Defying Gravity ' s Laura Harris - Starry Eyed

[caption id="attachment_3737" align="aligncenter" width="225" caption="Laura Harris as Zoe Barnes in Defying Gravity. Photo by Kharen Hill and copyright of ABC/Fox TV Studios"][/caption] For as long as she can remember, Zoe Barnes has always been the type of person who has identified a goal and then worked hard and done everything in her power to obtain it. She was determined to be one of eight astronauts selected for the Antares mission - a six-year journey to explore Venus as well as other planets orbiting Earth's sun. Zoe succeeded in turning her dream into a reality, but in order to do so she had to abort her pregnancy, the result of a one-night stand with fellow astronaut and Antares crew member Maddox Donner. As the Antares travels deeper into space, this dark secret begins to weigh heavily on her mind, giving Defying Gravity's Laura Harris, who plays Zoe, the chance to deliver a multi-layered performance. "Zoe is very confident in the way her life is going and what that path is going to look like, so much so that it verges on hubris," explains Harris. "So what happens when you're overconfident, crap happens, and that's definitely the case with her, but in a way it's good. By that I mean Zoe rediscovers her true confidence in order to get back on her path. What's interesting about our show is that we see our characters in the past as well as present, so you have an idea of what's going to happen with them. I like that because you don't have to explain back story, but at the same time we as actors discover more and more about our characters as well as have more questions with each new script. That helps keep things fresh for us and the audience. "One of the biggest challenges I had stepping into this role was getting into science mode. As soon as I got the job, I planned a trip to NASA [Goddard Space Center] in Maryland. A friend of mine who works there showed me around, which was awesome, especially from a day-to-day standpoint. There's quite a bit of archive footage and stories about the dramatic and exciting part of space travel, but there are also the everyday jobs that have to be done. I got to meet with a lot of extraordinary scientists as well as engineers and one astronaut, who also happens to be my next-door neighbor and an engineer. [caption id="attachment_3738" align="aligncenter" width="300" caption="Zoe in ISO's (International Space Organization) Mission Control. Photo by Sergei Backlakov and copyright of ABC/Fox TV Studios"][/caption] "So that helped get me in the right mindset. Zoe is a lot like Jodie Foster's character in [the feature film] Contact, a strong woman who has her own ideas about her life, all of which revolve around the space program and geology. My character is done with Earth rocks. Zoe wants space rocks now, and that's all she cares about," jokes the actress. In the first episode of Defying Gravity, Zoe and the other prospective candidates for the Antares mission undergo a series of grueling physical tests to determine who will be able to endure their outer space adventure. This includes a ride in the centrifugal force chair, an experience that left Harris a little shaken but none the worse for wear. "They strapped me into the chair, started to shake it and me, and said, 'It'll be all right,' and it was," she recalls. "Thank God for YouTube because it's totally changed the way an actor can prepare for a scene like this because you can actually see the effects of things like centrifugal force and nitrogen narcosis on the human body. There's tons of footage showing pilots experiencing such things and what you're supposed to do, including this little breathing exercise that sort of tenses up your whole body. So that's what I did and I think the scene turned out good, especially considering the way it was shot, which was guerilla-style." [caption id="attachment_3739" align="aligncenter" width="300" caption="At work in the Antares' lab. Photo by Sergei Bachlakov and copyright of ABC/Fox TV Studios"][/caption] From simulated events to practical ones, the Antares crew experiences firsthand what it is like to work as well as live in zero gravity and float among the stars. That required some wire work along with green screen work for the cast of Defying Gravity, something that was both fun and taken seriously by all those involved. "You want to be able to show a person experiencing the cosmos when they're actually in it," says Harris. "It's a very human thing to just look up at the sky and experience the cosmos, but to tangibly be in it, I don't know, I just think it must be pretty miraculous. So you don't want to milk it, and in a show like this it's easy to overdo something like that, especially me. I'm someone who's into experiencing nature in all its grandeur, and I'll admit that over the years I've sometimes looked kind of goofy standing in front of a green screen trying to imagine what experiencing the cosmos would be like," laughs the actress. "I'm hoping they edited any such moments out of Defying Gravity, but I tried my best to appear believable and sincere when imagining and reacting to such situations as Zoe. I feel like we have a responsibility to the audience, and that makes the work all the more challenging." During their five years of training leading up to the mission, Zoe and her fellow crewmates develop relationships of varying levels and dynamics with one another. In the present, those bonds become valuable lifelines as the astronauts learn to adapt to and interact with each other onboard the Antares. [caption id="attachment_3740" align="aligncenter" width="199" caption="Zoe and Steve Wassenfelder (Dylan Taylor) watch intently as a situation unfolds onboard the Antares. Photo by Sergei Bachlakov and copyright of ABC/Fox TV Studios"][/caption] "There is a great deal of growth with all our characters' relationships, a lot of which isn't what you might be expecting to see, and I think that's pretty cool," notes Harris. "Jen Crane [Christina Cox] and Zoe are best friends, whereas Zoe and Nadia Schilling [Florentine Lahme] have this sort of modern-day love triangle between them and Donner [Ron Livingston]. Neither woman, however, is outwardly jealous of one another. Zoe and Nadia have their own rules and ideas about how they run their lives, and Donner is something that they both share, which is rather interesting. As for Zoe and Donner, they're connected in some way. I don't think either of them is clued into why or how, but there's a definite connection between them that's beyond their control. "I have to say that working with this cast is such a delight, and that's true of every single person. I've had some really awesome scenes with Paula Garces [Paula Morales]. I love her character and everything that goes on with it. It's amazing to watch her drop into character because she does it just like that," says the actress, snapping her fingers. "For whatever magical reason, everyone has it in their heart when it comes to playing these roles, but there is also a major and very real transformation that takes place when we're in front of the camera. And that's something you don't always see. It's very much a wow-type moment of watching your castmate deliver his or her lines, and then stepping up to the plate and trying to match what it is that they're giving you," she enthuses. A familiar face to TV watchers, Harris has guest-starred on numerous series including The X-Files, Stargate Atlantis and CSI: Crime Scene Investigation as well as had recurring or regular roles on 24, The Dead Zone, Woman's Murder Club and Dead Like Me. In the latter, she played Daisy Adair, an actress from the 40's who died but was then reborn as one of a group of "grim reapers" who collect the souls of others just before death and help them cross over to the other side.  [caption id="attachment_3742" align="aligncenter" width="300" caption="A contemplative moment for Zoe in the Antares' observation room. Photo by Sergei Bachlakov and copyright of ABC/Fox TV Studios"][/caption] "I loved doing Dead Like Me because I got to be girly, and the thing is, I don't think I'm really a girly girl at all," says the actress. "Daisy was so different from who I am, so it was a true acting adventure. And as a cast, we had so much ridiculous fun together. We had such raw creative energy and everything we did was full of love. The show was truly a gift and I'm so glad I had the chance to do it." For Harris, it is who she works with that makes her job so rewarding. "You can't beat experiencing creative teamwork with really special, interesting people," she muses. "I love people anyway, and acting makes you go to places that you might not necessarily want to. In the process, you end up loving and appreciating people even more, because things that may seem unapproachable as qualities in others, all of a sudden aren't so unapproachable, do you know what  I mean? And that sort of realization makes anything in this world seem possible." Steve Eramo Defying Gravity is produced by Fox TV Studios and OmniFilm Productions in association with the BBC, Canada's CTV and Germany's ProSieben. As noted above, all photos by Sergei Bachlakov or Kharen Hill and copyright of ABC TV and Fox TV Studios, so please no unauthorized copying or duplicating of any kind. Thanks!

Defying Gravity ' s Ty Olsson - Daydream Believer

[caption id="attachment_2621" align="aligncenter" width="300" caption="Ty Olsson as Defying Gravity's Rollie Crane. Photo by Kharen Hill and copyright of Fox Studios/ABC"][/caption] International Space Organization (ISO) Astronaut Rollie Crane was a man on top of the world. After five years of training, he was ready to command a team of three other men and four women, including his wife, biologist Jen Crane, on a six-year mission to explore the other planets sharing Earth's solar system. Then, suddenly, Rollie's dream was snatched away from him and his long-anticipated journey to the stars was over before it even began. While he could not dispute the reason behind this,it was no less discouraging and heartbreaking, especially having to be separated from Jen. However, as he later tells a colleague, Rollie has to follow his own advice to "suck it up" and get on with his job. Sharing his burden is Ty Olsson, who plays Rollie in Defying Gravity, and while both the character and the actor suit one another, things could have turned out much differently. "When my manager and I first got wind of this project, I put myself on tape because I wasn't available for the actual audition," says Olsson. "From that tape, the show's casting people brought me in for a live audition, and I ended up trying out for three different roles. I think I put Maddux Donner on tape first [a role that ultimately went to Ron Livingston], then I read for Ted Shaw [Malik Yoba], and twice for Rollie. My last audition was for Ted, and it's funny because I remember [executive producer] Michael Edelstein saying, 'Oh, I think the Ted character is perfect for you.' Then, of course, Rollie was the one that came down the pike, which, honestly, I think is a perfect fit." In Defying Gravity's first season opener, Rollie and a fellow member of the Antares crew are called back to Earth prior to the actual start of the mission. Both men are found to have a previously undiagnosed heart condition and there is no other recourse but to ground them. Ted Shaw is chosen as the Antares' new commander, while Rollie is reassigned as capsule communicator. Rather than experiencing the mission in-person, he must watch it unfold from in front of a monitor in ISO's Mission Control. Like his fellow actors, Olsson was suitably impressed when he saw Rollie's working digs for the first time. "I think you get a feel for the creative minds behind a project when you walk onto the sets for the first time, and when I saw Mission Control I thought it looked like a movie set," recalls the actor. "I was just blown away by its level of detail and that of the Antares set. It's comforting to look around and think, 'OK, they put the money in the right place. This is a really good set to play on.' That's easily my first memory of working on Defying Gravity. I'm sitting in the [production office] board room right now and looking at the dozens of drawings and pictures on the wall of the Antares bio lab, the medical bay, the flight deck, Mission Control, etc. It's unbelievable the amount of work and creativity that has gone into preparing this series, and it shows on the screen. "Besides the sets, I can't talk about our first episode without mentioning [director] David Straiton. He is the wackiest and funniest dude and he has such a cool creative energy about him. When you start a new show you don't know what the people who are running the ship will be like. And from David, you get a sense that he's a guy who allows you to play as well as make bold [acting] choices and doesn't pigeonhole you into his idea only of how a scene should go. So I felt like everyone from the bottom up had the same type of creative energy that flows together. Our camera crew is the same one that worked on Battlestar Galactica and in my mind are some of the best in the business. "When I saw those guys were signed up, and I got to meet David, and I'd already met Michael Edelstein, I knew I'd be very happy working in this place for the next five or six months. I'm very critical of the stuff I'm in, but I have no qualms about saying that this is a top-notch show and one that came together quite well. I mean, you look at the first episodes of some shows, even huge hits, and think, 'Wow, they weren't really gelled there.' Some first episodes never look as good as the ones that follow, but I have to say that ours looks really tight." Fans of Defying Gravity know that its story is told in present day/Mission Control time as well as in flashbacks. So besides seeing Rollie at work, you also get to see him during training for the Antares mission, which is when he and Jen (Christina Cox) first met. As one of "the boys," Rollie joined his fellow astronauts for beers at the local watering hole, and even took part in a bet with their female colleagues that he and the other male astronauts could overcome the effects of a libido-inhibitor patch designed for use during their mission. While he is still just as good-natured, loyal and kind, Rollie has grown since his training days, which has allowed Olsson to show more facets of his character. [caption id="attachment_2725" align="aligncenter" width="300" caption="Rollie Crane at his post in Mission Control. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] "When I originally auditioned for Rollie, I was told that they [the show's producers/writers] were going to go a different way with the character and make him a little goofier and a bit of a nerd," he notes. "I gave them a version of that when I read for the part, but later on when I got the job and read the first script. I realized that Rollie wasn't really like that. So I decided to kind of go against that and made him somewhat stoic, very professional and, for lack of a better word, a quarterback. I wanted him to be the high school quarterback/all-American type of guy who is always above-board and could be relied on to get the job done. The character read to me like someone who should be commanding a multi-billion dollar space mission. "So that was an acting challenge because I was coming in with something performance-wise that I hadn't really shown them. Luckily, an episode or two into shooting, Michael said to me, 'We really like what you've done with your character.' I thought, 'Whew,' because you're never sure how something like that is going to turn out. "The other thing I've tried to layer into Rollie, in particular during the flashback sequences, is to make it seem that he was much more easygoing and a bit wilder in his younger days. I think he experiences a lot in the five years heading up to the mission that kind of change him. Again, you never know how it's all going to play out, but in my mind Rollie is much goofier and younger in behavior in the flashbacks than he is in present-day as the former commander of the Antares. So that's been tricky, to kind kind of keep that in my back pocket and not make my character one level all the time. You don't want anyone to come across as one-dimensional, so it's a matter of trying to keep him all those things that I've talked about, but also make him a real person with flaws and who occasionally has chinks taken out of his 'armor.' Also, we haven't pinpointed 100% when Rollie found out about Beta, but I'm guessing it was fairly late in the preparation leading up to the mission, and something like that has to change your outlook on life a little bit." The aforementioned "Beta" that the actor referred to is, in fact, an unseen enigma that appears to be manipulating events regarding the Antares mission. It is inferred that Beta is responsible for the medical condition that led to Rollie and Chief Engineer Ajay Sharma (Zahf Paroo) being removed from the mission. This also meant that Rollie's and Jen's outer space "honeymoon" would not take place. Instead, they spent some time alone together on the Antares observation deck before Rollie returned home to Earth. "I think Rollie had a crush on Jen from day one," says Olsson. "When it comes to relationships with the opposite sex, that's one area where he's not the star quarterback who whisks women off their feet. He's not a great pick-up artist. I think he's slightly shell-shocked by Jen as well as a little love struck in the early days and slow to take action. Part of that could have been that he was a superior officer within the [mission] program at the time. Rollie is hopelessly in love with her, though, and falls for Jen early on. The chemistry between them is fun to play, and Christina Cox is terrific to work opposite. She's very giving and listens as an actor, and the two of us have had a great time exploring who these two characters are as a couple. "Christina and I have had some wonderful scenes via video conferencing between Jen on the Antares and Rollie back on Earth, and the funny thing is we don't actually do the scenes together. I don't remember which episode it was, but I was doing one of these calls with Christina on the other end and, of course, they hadn't shot her portion of it yet. We did it a few times, and one of the great things about [director] Peter Howitt is that he has this belief that an actor should be able to do one take for himself - even if it's terrible, even if it's stupid, even if it's in another language - which is awesome. "We did the scene as scripted and then I asked Peter if I could do one [take] for myself and he said, 'Sure.' So I just let it rip, and I'm sure it was my best take of the day. That's something I truly appreciate as an actor. When a director trusts you enough to say, 'Have a freebie. This one's for you. Do whatever you want,' that, as an actor, is gold for me." [caption id="attachment_2726" align="aligncenter" width="300" caption="Rollie onboard the Antares. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] A husband, father and actor, Olsson was born in Halifax, Nova Scotia, Canada, and, like many people in the business, never imagined that he would one day make this his career. "I actually went to a performing arts high school, and from grade nine onwards I did two hours of drama a day. So I had the [acting] bug, but because I was never one to think what tomorrow might bring, I never considered this as a possible profession," explains the actor. "It wasn't until my final year of high school, when I still had no idea what I was going to do with my life, that it dawned on me that everyone else was trying out for theater schools and I thought, 'Wow, people can actually make a living at this. That's awesome. I'm going to try it, too.' I've lived a somewhat blessed life in that way, having been pushed and nudged in the right direction and I'm very grateful for that." The actor chuckles when asked about his on-camera debut. "My wife loves to tell this story. My first paying job ever for movies or TV was The X-Files [season five's Kitsunegari] when the program was at the height of its popularity. I came home from work and my wife asked, 'How was it?' And all I could say was, 'The catering was amazing! They had steak, prawns, salads, fruit, desserts...' My very first professional day as an actor and the biggest thing I had to talk about was the food," jokes Olsson. "Daniel Sackheim directed this episode, and he's a super-intense guy. I told him years later when I worked with him again that I thought he was going to have a heart attack on The X-Files. I remember doing a scene where I was supposed to grab a doorknob and open the door as part of a spooky X-Files storyline. We did 14 takes, and I began to sweat and get really nervous. I wondered, 'Why do we keep doing this over and over? What the hell am I screwing up?' "I think it was one of the crew who finally noticed that I was starting to sweat, and he leaned over to me and said, 'Don't worry, it's not you. He [the director] thinks he's shooting a feature [film].' I was like, 'Thank God,' because I was going crazy trying to figure out how I could get something like that wrong. Those were the glory days, though. I was on that set for five days shooting the opening teaser and I had a blast." Olsson has since appeared in several made-for-TV movies as well as miniseries and guest-starred on dozens of other shows such as Dead Man's Gun, Cold Squad, The Outer Limits, Tru Calling, The L Word and Eureka. The actor also played the recurring roles of Captain Aaron Kelly in Battlestar Galactica and Danny in the Stephen King miniseries Kingdom Hospital. "I was a huge fan of Battlestar Galactica and all the people who worked on it, so I was thrilled whenever I got a call from the producers telling me that they were bringing Captain Kelly back," he says. "It was a fun show to work on and a bit stressful as well. This was a group of people who worked together for years and shot dozens of episodes, and I'd come back and have to remember how to pronounce some of the technical terms. I loved the challenge, though, and when I did the show, I also did my homework to make sure I was up to speed on everything. [caption id="attachment_2727" align="aligncenter" width="300" caption="Mission Control Flight Director Mike Goss (Andrew Airlie) and Rollie. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] "Kingdom Hospital was a great show to work on as well," continues Olsson. "It was weird as well as creepy and creatively really on the edge in a lot of ways. My character of Danny was a paramedic and most of my scenes were with Ben Ratner, who is terrific to work with. I first met him during, I believe, a second callback for the part. The casting people were pairing actors up to read and they put us together. Ben and I chatted in the hall for 30 seconds, went into the audition room, did the scene, and the director looked at us and asked, 'How long have you two been working together?' It was one of those instant chemistry things where Ben and I just hit it off really well, and that's always a bonus." On the big screen, Olsson's credits include Lake Placid, Missing in America, Elektra, The Day the Earth Stood Still and X2: X-Men United as Mitchell Laurio. "A job like that is a dream come true insofar as getting to work with all those people with such amazing careers," says the actor. "I was telling someone not too long ago that I put on 35 pounds in three weeks for this role. When I was hired, I was told, 'Hey, we want you to go on a beer and pizza diet.' Well, you don't have to tell me twice. I already admitted how much I love the catering at work. "Wardrobe took my measurements three days after I got the job and I told them that I was going to put on some weight. When I went for my first costume fitting there was something like a three-inch gap between the button and buttonhole of my pants. I came back three weeks later and there was still a gap because I'd gotten that much bigger, so they had to switch pants. On the first day of filming, there was another three-inch gap, so they had to let the pants out again. After Ian McKellen [Eric Lensherr/Magneto] found out I'd put all that weight on, he would come over to me every day, pat my stomach and ask if I needed anything from craft services," laughs the actor. Around the world, there are people who begrudgingly get up every morning and go to work, but Olsson is not one of them. "I'm so lucky to be doing something that makes me happy," he enthuses. "I like to audition, I like to work, I like to be on-set and I love the creative process and problem solving. I also enjoy surprising people and being the guy who doesn't look like an actor but who has a great deal to offer. "Growing up, I was a daydreamer, and my daughter is the same. It makes me so happy when she says, 'I'm going to bed early because I would like to daydream before I go to sleep.' That was me to a tee. I used to love to lay in bed and daydream, and now I get to make those daydreams my career. I should have been born in a different time, too. I've always felt I was in the wrong time-line, and this [acting] is my way of finding those alternate realities that I fit into." Steve Eramo Defying Gravity is produced by Fox Television Studios and OmniFilm Productions, in association with the BBC, Canada's CTV and Germany's ProSieben. As noted above, all photos by Kharen Hill or Sergei Bachlakov, so please no unauthorized copying or duplicating of any form. Thanks!

Defying Gravity ' s Christina Cox - Scientific Method

[caption id="attachment_2594" align="aligncenter" width="225" caption="Defying Gravity's Christina Cox as Jen Crane. Photo by Kharen Hill and copyright of Fox Studios/ABC"][/caption] It is far from an ordinary day onboard the spaceship Antares for Defying Gravity's biologist Jen Crane. Rather than running experiments on plant samples or reviewing the progress of frozen animal embryos, she is standing on the ship's observation deck and helping deal with a life and death situation unfolding before her eyes. It is an emotional scene and one that actress Christina Cox, who plays Jen, is obviously relishing. Having fought aliens as Major Anne Teldy on Stargate Atlantis, chased demons as Vicki Nelson on Blood Ties, and hunted down Vin Diesel's Riddick as mercenary soldier Eve Logan in The Chronicles of Riddick, blasting off into outer space seems the next logical step for Cox. However, while Defying Gravity may be set among the stars, it was the story's more down-to-Earth elements that initially attracted her to the part. "I'd heard about Fox Studio's plan this year for different shows, including one being shot in Vancouver involving eight astronauts - four women and four men - and I thought, "Hmm, Vancouver, plus Sci-Fi or spatial, and Christina; perhaps there's something there. What are the odds that I might be going into space?'" says a smiling Cox during a break in filming on the Defying Gravity set. "I asked my manager to keep an eye out for this show because I always like coming home and the idea really intrigued me, which is the exploration of human relationships n such an extreme situation and the types of personalities that wind up in these kinds of jobs. Obviously they're going to be pretty extraordinary people, and yet human beings with flaws, issues, baggage, damage and all that, which we learn about as we go along. [caption id="attachment_2595" align="aligncenter" width="300" caption="Jen Crane in ISO's (International Space Organization) Mission Control prior to leaving on her mission of exploration. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] "When I eventually read the script I thought it was fantastic, and contrary to what some people are going to think when they see that we're astronauts on a spaceship, it never read to me like a Sci-Fi show whatsoever. I'm often asked why do I do so much Sci-Fi, and I really don't have an answer. It's just a coincidence. It's not like I look at a script and go, 'Ah, ha, oh, no, it's not Sci-Fi. Forget it.' It just so happens that I've done a lot of Sci-Fi, but, again, this never read to me like a 'space show.' On the contrary, it read to me like a relationship drama with a light touch and a fair degree of humor and sensibility, and that's something I was interested in exploring. I've had a great time doing straight Sci-Fi shows and firing 50 clips with my P90. I love that training and all that action, but I was really looking forward to getting my teeth into a character-driven show, and that, to me, is what this is. "Probably more than anything else, Defying Gravity is about the alien within all of us and that we're trying to get to know," continues the actress. "We only learn to understand that [alien] self through experience, and this is such an extreme experience. Everyone's issues are going to rise to the top and they'll be forced to confront them. I think that's what a situation like this does, and one of the issues that we're dealing with right now [in the real world] as far as trying to plan long-term space missions, is what will something like that do to the human psyche? How will we cope if we're out there longer than six months? On our show, these people are facing six years of isolation from their family, friends, social network, etc., and it's going to have an effect on their psyches. Will they lose it? Will the ship come back empty with a bunch of blood smears on it? That's not Science Fiction, that's hardcore reality, and as human beings are we equipped to survive that? "Acting-wise, I liked that the character of Jen that I've been give the opportunity to play has some real issues that are actually going to be confronted. Why is she so messed up? We're going to find out, and I was really looking forward to playing someone a little more flawed, a little darker and a little more sympathetic. There are so many great characters on this show, and one of the things I enjoy about Jen is that she can be slightly less together than, say, Vicki [from Blood Ties] was. Although in truth, Vicki was not truly together at all. She was just better at putting on a front." [caption id="attachment_2598" align="aligncenter" width="300" caption="Jen senses that something is not quite right onboard the Antares. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] In Defying Gravity, the straight-talking yet compassionate biologist Jen Crane is part of a team of astronauts who, in the near future, are chosen for a six-year mission to explore Venus and other planets in our solar system. Although she had plenty of scientific credentials required for such a task, Jen still had to undergo an intensive physical and mental training program with the rest of the prospective Antares crewmembers. Like her TV counterpart, Cox did her own "training" before going in front of the cameras to play Jen. "In my research for this series I was lucky enough to speak with the psychiatrist who is on the selection committee for the Canadian Space Program, and, in fact, had been my neighbor from the time I was around eight years old," she notes. "His current job is helping pick candidates for the Canadian Space Program, and the thing is they really don't know what the long-term effects of this kind of isolation might be. Their studies include profiling for the personality types best suited for the sort of mission that we're seeing on our show. One of the big questions is will they be able to have social interaction among a small group of people for six months, a year, two years, six years? Also, are they media savvy Do they put on a good front? They have to be able to communicate with the public and be sympathetic to them because the space program relies so much on public funding. "On our show we have two groups on the ship - the engineers and the scientists - and they have very different objectives in the way they process information and search for answers. As an actor, this is my first time being on the science side of things, which is the 'what if?' as opposed to, 'OK, how do I handle this? How do I fix this? How do I contain it and make it function in a reasonable and tangible way?' which is more the engineering side. I've played law enforcement types, lawyers, federal agents and other people who need solutions. They're a little bit more linear in their thinking. They don't want things to keep extrapolating beyond the realm of their knowledge, and the thing is, Jen is looking for evidence of life outside of Earth. It's her belief that we're not the only sentient beings in the universe, so she's hoping to prove that. And in the process, she's also trying to figure out if we as human beings can survive out of our [familiar] environment for extended periods of time." [caption id="attachment_2603" align="aligncenter" width="300" caption="A bit of downtime for Jen in the Antares galley. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] During the Antares training program, Jen befriends geologist Zoe Barnes (Laura Harris), who, after a one-night stand with astronaut Maddux Donner (Ron Livingston), ends up pregnant. Meanwhile, Jen becomes romantically involved with astronaut Ted Shaw (Malik Yoba), but later falls in love with astronaut Rollie Crane (Ty Olsson). The couple marry two years before being assigned to the mission, but when Rollie and a second crewmember are subsequently grounded due to a medical condition, Donner and Shaw are ordered to replace them. Needless to say, all these prior relationships make for plenty of riveting space drama. "It turns out that Jen's primary relationship is not with her husband, but her best friend Zoe," says Cox. "It's an interesting journey personally because at the beginning of the series, Zoe and Jen meet during training, so their friendship is new, just like the friendship between me and Laura Harris. So it's been evolving and developing story by story, and the more information that Laura and I get, and the more shared experiences our characters have, only helps further inform us when it comes to our performances. "Jen believes that she's going on this mission with her husband and her best friend, but by the end of our first episode, complications arise and now she is going to spend the next six years with her ex-boyfriend and her best friend, while her husband Rollie is back on Earth. I don't know about you, but I wouldn't want to be trapped anywhere with an ex-boyfriend for six years," chuckles the actress. "Can you imagine, your ex and six other folks onboard a spaceship. Never go on a cruise or get into any type of vehicle where you may be stuck somewhere for a long period of time with an ex. This is my advice. After all my years of life experience, that's what I've come up with. [caption id="attachment_2604" align="aligncenter" width="300" caption="L-R (front row) - On the Antares observation deck: Maddox Donner, Zoe Barnes and Jen Crane; (back row) Nadia Schilling (Florentine Lahme) and Dr. Evram Mintz (Eyal Podell). Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] "With Ted and Jen, it depends on how long they were together and how difficult their break-up was. We're still discovering as we go along on the series exactly what happened with them as well as Rollie and Jen. So it could get a little awkward up there in space, and maybe a little weird, too, but it's all good. Again, there are human issues being dealt with in a heightened situation involving these characters, and there are secrets that they're discovering. It's like the Lost world. People describe this show as Grey's Anatomy in space with a touch of Lost. I have to say that I like the idea of secrets in the story. It makes it more compelling and it's definitely going to be quite a trip for audiences to follow. The secrets are causing our characters to reflect on their own issues and life experiences, which I think is fantastic. It's done with a light touch as well, and I don't mean in a shallow or insubstantial way, but rather not hitting you on the head." When asked about her work filming the first episode of Defying Gravity, one word immediately comes to Cox's mind. "Terror," she recalls. "It's such a big show, and my first ensemble show, and everyone blew me away because they're so flippin' talented. You're surrounded by this group of people, each of whom are very special and bring so many different things to the table, and suddenly you realize that you're in a situation to create something quite special and interesting. The casting process for this program was a long one, but the result has been a particular type of alchemy that's needed for a TV series to work. "A studio can cast a movie by numbers, bring in blockbuster stars and then hope it works, but there are films where that's been done and they fall flat because the chemistry isn't there. Of course, I'd like Defying Gravity to be a huge hit and have a long and lovely life, but ultimately what I'll get to take away from it is an extraordinary experience with an incredible group of actors. When we shot our first episode we could feel that alchemy coming together. When you see the work that everyone around you is doing, you want to match it and hope you are, but you don't know. I don't watch dailies. I can't stand watching myself, so you have to trust your directors, and that if it [a scene] doesn't feel right, it probably isn't, so you have to figure out how to make it right." [caption id="attachment_2605" align="aligncenter" width="199" caption="Jen suits up for a bit of space walk. Photo by Sergei Bachlakov and copyright of Fox Studios/ABC"][/caption] Unlike most new shows that film a pilot, which may or may not then be picked up by a network, Defying Gravity shot a 13-episode first season which is airing Sunday nights in the States on ABC. Cox's previous series, Blood Ties, also had that same distinction, having made 26 episodes that then aired on the Lifetime Network. It is a rare creative situation that the actress is incredibly grateful for. "This business is so up and down and I'm really fortunate to be able to do 13 episodes of something," she says. "I've done a bunch of pilots and it can be heartbreaking. You grow attached to the people as well as the premise and the story that you want to tell, and then you sit on your butt for 10 months while the network decides whether or not they want to move forward with it. If they decide not to, then it's back to the drawing board. So this [Defying Gravity] was like winning the lottery. Now that we have the 13 episodes, we'll just have to wait and see where that takes us." Steve Eramo Defying Gravity is produced by Fox Television Studios and OmniFilm Productions, in association with the BBC, Canada's CTV and Germany's ProSieben. As noted above, all photos by Kharen Hill or Sergei Bachlakov and copyright of Fox Studios and ABC, so please no unauthorized copying or duplicating of any form. Thanks!

Defying Gravity ' s James Parriott And Michael Edelstein - Up, Up And Away

What do TV shows like The Bionic Woman, The Incredible Hulk, Forever Knight, Grey's Anatomy and Ugly Betty all have in common? If you said James Parriott, you are right. The veteran executive producer/writer has lent his considerable talents to these and countless other TV series over the years. In 2003, he and executive producer Michael Edelstein, whose credits include Hope and Faith and the hugely popular Desperate Housewives, worked together on the short-lived series Threat Matrix. More recently, they teamed up again to exec produce Defying Gravity, a Canadian-made space thriller that makes its Stateside premiere this Sunday at 9 p.m. EST on ABC. Set in the not-so-distant future, Defying Gravity was inspired by Space Odyssey: Voyage to the Planets - a fictional docudrama produced by Impossible Pictures (the same creative minds behind Walking With Dinosaurs) for the BBC. It follows the crew of the spaceship Antares, an international team of eight astronauts (four woman and four men) who embark on a six-year mission to explore Venus as well as other planets in the solar system. Their journey is being monitored closely by Mission Control back on Earth, but only a handful of those involved are aware of the very real dangers and mystery surrounding this mission. Defying Gravity is not so much Sci-Fi as Sci-Fact and served up with a large helping of human drama, all of which is part of Parriott's and Edelstein's original blueprint for the series. "Michael saw Voyage to the Planets on the Discovery Channel, and I then happened to see a rebroadcast on the Science Channel and thought, 'This is extremely well-made and cool. There's something here,'" recalls Parriott, who, along with Edelstein, took time out from their day to talk about Defying Gravity on the show's Vancouver-based set. "In this business you're always looking for a new arena for a drama. I mean, there are thousands of law shows and thousands of medical dramas, a lot of which are very, very good, but you're always thinking, 'What's the next arena?' "So after watching Voyage to the Planets I got really excited and, right after the [2007] holidays, I ran down the hall to Michael's office - we were both working at Disney at the time - and said, 'What do you think? If we throw in a little Grey's Anatomy along with a little Lost, this could actually work.' Because it has an international crew, it felt like an international show and, therefore, would have a broad appeal. It would appeal to Sci-Fi fans, but the drama part of it would appeal to those who have no interest in Sci-Fi. Michael and I looked at each other and said, 'This could be the one that really works.'" [caption id="attachment_2289" align="aligncenter" width="300" caption="Ron Livingston (as Maddux Donner) and Malik Yoba (as Ted Shaw) in Defying Gravity. Photo copyright of ABC Television"][/caption] Continues Edelstein, "What appeals to me about working with Jim is that he's all about the characters, and I just thought if someone was going to tackle this, give it to him. So Jim took this idea, put it to his brain and months later Defying Gravity came out of that. It was somewhat different from our early conversations, but I think it's richer and more compelling, not to mention addictive. We've been very selective about who we've shown the pilot to. Recently, I had an older female friend from London visiting me and I didn't think she was our demographic at all. However, she watched the pilot, got hooked and wanted to watch more and more late into the night. We're hearing stories like this from everyone who has seen the pilot. "To Jim's credit and that of the other writers, they've come up with, once again, an addictive show. There's just layer upon layer of mystery, and the amazing thing about the characters they've created is that you can go to any one of them for a story and you can fall into their world and find those multiple layers. So that's been a thrill, and I get really excited when I read the scripts. I think the challenge, obviously, is to build a show of this complexity, and from day one Jim told me, 'Michael, this is a space show. Space shows are incredibly hard to produce.'" Says Parriott, "I started out doing The Bionic Woman, The Six Million Dollar Man and other Sci-Fi and complicated shows with [visual/special] effects. And I told Michael, 'This isn't a medical show. This isn't Desperate Housewives. This is [outer] space we're getting into. Aren't you scared of getting into space, and on a budget?'" Says Edelstein, "I came up here in early November [2008] and since then I've been back home less than ten days in seven months. Initially, Jim was going to be up here a week or two, maybe a month, and he's been here at least three weeks a month, but it's been a ton of fun. Vancouver is a beautiful city and it has a great film community. We've inherited a wonderful group of people to work with and are settling into a nice groove." [caption id="attachment_2290" align="aligncenter" width="300" caption="Paula Garces (as Paula Morales) and Christina Cox (as Jen Crane) in Defying Gravity. Photo copyright of ABC Television"][/caption] Defying Gravity's international cast is led by Ron Livingston (Antares flight engineer Maddux Donner), Laura Harris (geologist Zoe Barnes), Malik Yoba (Antares commander Ted Shaw), Christina Cox (biologist Jen Crane), Florentine Lahme (pilot Nadia Schilling), Paula Garces (pilot, scientist and onboard documentary producer Paula Morales), Eyal Podell (psychiatrist and medical officer Evram Mintz) and Dylan Taylor (theoretical physicist Steve Wassenfelder). Overseeing the entire operation back on Earth are Andrew Airlie (Mission Control Commander Mike Goss), Karen LeBlanc (scientist Eve Shaw), Zahf Paroo (flight engineer Ajay Sharma), Maxim Roy (flight surgeon Claire Dereux), Ty Olsson (capsule communicator a.k.a. cap comm Rollie Crane) and William Vaughn (assistant cap comm Arnel Poe). Episodic director Peter Howitt also plays BBC journalist Trevor Williams. In creating such a large and diverse group of characters, Parriott took a page out of his Gray's Anatomy days. Once the onscreen players had been named, he and Edelstein then began casting the roles. "We wanted to create characters who are sort of archetypes," explains Parriott. "On Grey's Anatomy you can point to those characters and say, 'That's the pretty one who was the model,' or, 'That's the Asian girl who's the hard-ass,' or, 'That's the guy who is...,' etc. You create characters who, at first, the audience might not necessarily identify with, but at least they know who they are. I tried to do that with Defying Gravity in order that the characters would be very specific, and even a little bit stereotypical at the start, so you'd think, 'Oh, I recognize him, or her.' As the series goes on, you then give your characters different dimensions and continue to expand upon all that as the viewers get to know them." Says Edelstein, "In terms of casting, we went through an exhaustive process. That really was a luxury, and I think it took us five months to cast the show. We cast out of Los Angeles, Vancouver, Toronto, Montreal and even Germany. Jim and I were up at five in the morning to audition actresses via teleconferencing and it was great. That's when we found Florentine and she's been fantastic. The funny thing is Jim and I have very different tastes in things, and we found that the right person for a part would be the one where we both overlapped. There are actors who Jim zeroed in on right away and it took me a while, and vice versa. It's been terrific casting this series together because we both looked for different things, and I think I speak for Jim and myself when I say that we're both thrilled with who we have on the show." [caption id="attachment_2291" align="aligncenter" width="300" caption="Mission Control Commander Mike Goss (Andrew Airlie) and scientist Eve Shaw (Karen LeBlanc) watch intently back on Earth as the Antares mission unfolds before their eyes. Photo copyright of ABC Television"][/caption] As the actors were being auditioned and cast, the cosmetic elements of Defying Gravity, including sets and costumes, were also being designed and built. "We were fortunate to find some incredible department heads, including our production designer, Stephen Geaghan," notes Parriott. "He has a tremendous amount of Sci-Fi experience and is also meticulous as well as wildly knowledgeable about [outer] space, and he brought his enthusiasm to the job. By the time we met, Stephen said we were already two weeks behind. We didn't start construction on the sets until mid-October [2008] and we began shooting mid-January [2009]. So it was a Herculean effort, and there was a Christmas holiday right in the middle of it all as well." Continues Edelstein, "There was very little stage space in Vancouver when I initially came up and scouted around. This [a portion of Bridge Studios] was, I think, the only stage really available, so we took it. Unbeknownst to all of us, Stargate Atlantis has left this massive steel cage-type set behind. Lucky for us, Stephen had the good sense to say, 'Hey, let's keep this. We can strip it down and turn it into something else.' So he built Mission Control around it, which was fantastic because on our budget I don't believe we could have achieved the same results from scratch. "We were also lucky to get Monique Prudhomme, our costume designer, who has a wonderful background in feature films. She received rave reviews for her last movie, Terry Gilliam's The Imaginarium of Doctor Parnassus. We just thought that Monique had a great vision and she jumped headlong into research for the show. For example, with our EVA [extra-vehicular activity] suits, our white spacesuits, she looked at the new direction that MIT believes NASA will be going in next with their pressure suits. So Monique did some hardcore research and then she had to figure out how to make the suits 'work.' In real life they cost something like a million dollars apiece. Obviously we couldn't do that, but Monique figured out a way to make something that looks great on-camera. "Our whole idea going into prep was, 'This needs to feel real and be believable.' One of the things that Jim and I learned at NASA is that the space shuttle, which had its first launch, I believe, in 1981, was built using solid-state technology. It was technology from the late 60's and 70's. The thing is, NASA has a great deal of redundancy in their systems. Once they lock into something they don't necessarily update as new technology comes along. The International Space Station is run by 46 computer chips, because when NASA first designed it, they knew peoples' lives were at stake, and that meant its systems had to be very reliable. So early on, Jim figured out that if Defying Gravity is set in 2055, the technology would probably be from the late 2020's to 2030." Says Parriott, "We looked out to 2020 and decided that that's what we were going to do. Of course, everything on the show is from what we think will happen looking forward. I actually think some of our technology is behind 2020. It could be better in [the real world] 2020. In our case, though, what you see on-screen all depends on our budget and how much money we can put into the show." [caption id="attachment_2292" align="aligncenter" width="300" caption="Zoe Barnes (Laura Harris), Steve Wassenfelder (Dylan Taylor) and Nadia Schilling (Florentine Lahme) on the Antares observation deck. Photo copyright of ABC Television"][/caption] Adds Edelstein, "Budget-wise you don't get all the money in one lump. We had to take our episodic budget and use it to chip away at [building] the sets. The sets that you see now were not that evolved when we began shooting. However, we've slowly been able to put it all together and, fortunately, the studio has been very supportive of our vision. That's what's made this whole thing possible. It's a lot of hard work and people solving one problem at a time. Every day we've continuing to learn about the show. At the moment [late May] we're shooting episodes 12 and 13 and we're still learning things insofar as what we'd like to do in season two as well as ways to improve the show." Story-wise, the 13-part first season of Defying Gravity is divided between the present day, as the Antares travels towards Venus, and the past, with flashbacks to when the astronauts were in the gruelling selection and training process. Although the show's characters are not aware of what lies ahead. Parriott has a definite plan for where this story is headed. "Before we started filming, we had outlines for all 13 episodes,'" says the executive producer. "I'd basically arced out the entire season, which helped us a lot of terms of production and knowing what we needed to build. Beyond that, I wanted to do two things. One, in our ninth episode we have a major reveal, and it's a cool one that catapults you into the next part of the season. Also, having started in Sci-Fi, I know Sci-Fi audiences are demanding and I wanted to be demanding of myself, which meant I needed to know where the series was going. I didn't want to jump the shark; that was very important to me. So I know the ending to the show. I know season by season where it's going and the big [story] beats along the way. That's crucial for the Sci-Fi audience, in particular, and audiences in general." Continues Edelstein, "My time is valuable as is everyone else's. There are only so many hours in the day to watch TV, and if someone wants to look at our series, then I feel extremely flattered that he or she wants to spend their time watching something that I'm a part of. You have to take that commitment to your audience seriously. It's sort of a covenant that you make - you give us an hour of your time and we're going to entertain you, we're going to move you, and we're going to keep your interest." [caption id="attachment_2293" align="aligncenter" width="300" caption="Evram Mintz (Eyal Podell) and Nadina Schilling (front) along with Zoe Barnes and Jen Crane (back) sit through yet another training course. Photo copyright of ABC Television"][/caption] Says Parriott, "It has to be a show that I want to watch, too. I think that's also part of the criteria. If you're making a program that you wouldn't want to watch, then you're kind of a cynic who's just out for the buck. We started out in a very calculated, dare I say cynical place of, 'OK, [outer] space, that will have a broad appeal.' But then as you start to write it, you fall in love with it and your characters, and you become passionate about it. We've very passionate about this project now, and I think all the actors and the crew feel the same way." Adds Edelstein, "Episodes eight and nine changed everyone. After eight, everyone was like, 'What happens next?' And after nine it's just been a mad sprint to the end of these first 13 episodes. It's a very cool show and certainly not like anything else on TV. I feel the same way about Defying Gravity as I did about Desperate Housewives. When we first came out with Desperate Housewives there were no drama/comedies on the air and people didn't know how to react to it. Some people said that men would never watch a show called Desperate Housewives and there were those who wanted to change the title. With Defying Gravity we've made a show that's interesting and unique as well as compelling, and we're hoping it finds an audience." Says Parriott, "I always say keep your eye on the ball. Make the shows as good as you can make them, and make the scripts as good as you can make them. That's the joy of something like this. I find I'm the happiest when I'm in the cutting room or when I'm writing. The time just flies by because you're doing what you love. The true reward is in the actual doing. And then in the larger sense, it's in the relationships that you build making a show. These last two episodes have been bittersweet. It's kind of sad and the cast as well as the crew are feeling it,too. They're like, 'Why does this have to end? Do we have to go home?' It really has become a very happy family and one of the tightest-knit groups I've ever had the pleasure of working with." Steve Eramo Defying Gravity is produced by Fox Television Studios and Omni Film Productions, in association with the BBC, Canada's CTV and Germany's ProSieben. As noted above, all photos copyright of ABC Television, so please no unauthorized copying or duplicating of any form. Thanks!